"It's a peculiar feeling. Wonderful!"

The details, the accuracy of each instrument, the speed, the attack of the strings. My English is too short to describe. I have been using a CD with Rossini music, among others, and realized that, in addition to the mentioned sonic improvements, the noise in the background is just the breathe of a cellist. Now one can feel the need of turning the volume up and up. It's a peculiar feeling. Wonderful!
Felipe Jiménez
 

"There are even more in my system than I thought, and the cables are incapable of bringing forward this."

When I have my own ZenSati # 2 round tack intent in their own facilities. They are still not real run-in, so I will content myself in this context with only a careful review: Krell in general, and in the EVO class in particular, are quite demanding for the rest of the equipment connected to its products, and particularly cables. I have previously held Nordost to be among the most suitable product to Krell, I see this as also a large number of stands where the Krell is exposed. When I bought a vinyl rig for a few months ago, I made a small round online to find good cables to the equipment that was to come. I was persuaded to try ZenSati, a product name I'd never been away before, so new is highlighted. Now I will not go very in depth on that particular session, it will stand until I make my own thread. But to emphasize it was ... regime change! ... that came over my plants when Mark graciously allowed by me to introduce a small test on CAST cables he had with him (I had made it pretty clear above Frode Olsen Acoustic Tuning that I was not interested in buying new CAST - & high-taker cables, so why bother putting them on?) Now I sit, just over six weeks later, with a full and complete set of ZenSati with me! Everything from IC, CAST, speaker cables .. "The works".

SOUND But then, JackX! SOUND I was spoiled. I thought. But now I know that I've been there! When Mark had put on some of their favorite LPs, and sat spellbound back in the sweet spot, I had to even say that what I had previously been listed out of the plant was only a replica of what was on the media. What mainly struck me was the absence of some sking in the top, and significantly faster, deeper and more precise bass once. On everything from the bass and organ to xylophones and triangles were now musician back as a physical entity, and where even the breath and fingers play the instrument was present and reflected. Soundstage had gone from being a pretty big now to go out of the room's physical limits, we then imagine a scene that stretched just prior to their feet and far, far behind, while you had the sensation of looking for them musician sitting right on the right and left. Magic! Details count, and one count details, it is the sum of these that this file unit whole. Missing details makes the session bad, and you do not get the true intention of the composer and performers. The Micro details of these cables were able to bring out is the very least, small "candy" chases - and which characterizes a plant that dissolved. There are even more in my system than I thought, and the cables are incapable of bringing forward this. For that reason alone, I can only recommend the common people to test them if you can.
JackX
 

 

"it is very clear to me that these cables are 100% neutral"

After weeks of intensive listening sessions with interconnects, speaker cables and power cords from the Danish company ZenSati, it is very clear to me that these cables are 100% neutral. The feeling is that the cables have a massive bandwidth and nothing seems squeezed together or strained. If you are the owner of a high-end audio setup in true balance, then you don t have to search any more for cables, as the ZenSati cables will provide you with a 1-to-1 transport of the signals. However, if you have a setup which requires cables to fine-tune and adjust your set-up, then forget about ZenSati buy instead one of the cables which colors the bottom or smoothens the top. Here is no voodoo, actually no mysteries the ZenSati cables simply just do the work  transporting the perfect signals through your system and to the room.

High Performance Audio, Denmark  - Morten Eskildsen
 

 

"The ZenSati cables are among my three preferences and reference cables in the world"

 The first contact with the new ZenSati cables happened during a trip to Copenhagen in August.

We listened to the cables in two reference set ups and the cables did not add or subtract from the experience. In set up nr. one we vere presented with Krell and Sonus Faber Stradivari speakers, the room not yet maximal tuned but after two minutes it was clear what this cables  didn t  do to the sound, a perfect neutrality that exposed the set up and the Stradivari warts and all. In this room the Stradivari would perform wonderfully on small ensembles but as soon as you threw something more complex at them the whole sound-image collapsed. The speed, transparency and no listen-able restriction throughout the whole tonal spectre gave you a fair good idea of what this system could achive once set up properly.

Our second listening session was done with Audio Research REF series and Wilson Audio Watt / Puppy 8. This in a maximal tuned set up, the articulation at the extremes, the total lack of coloration and the speed of delivery flattened me. Listening to this system, also here, brought forward only the signature of the components without adding or subtracting from the experience. When I set out for Copenhagen I told my friend I was going to  not  listen to some cables and this was a perfect description, although my friends now think me more crazy than ever.

The conclusion from my first experience with these cables is that they probably are some of the fastest most neutral and limitless cables around.

My second meeting with the ZenSati cables was at the Horten show, medio September, where I was lucky enough to have them present in my reference set up. Here I played on Ypsilon CD and DAC, Plinius amplification and Lithophon Miracle loudspeakers. This is a system that I know well and can only say that the cables did what they set out to do, NOTHING. The neutrality and speed, openness and articulation and the limitless outstretched air and control at the outmost extremes was so present it gave the music a perfect environment to blossom and show you the whole palette of musical colours. In this set up I utilised the Series Two and from a long experience with a lot of cables I can only conclude that these cables now are both my own references and Audiostone AS preferred cables when presenting our gear world wide.

So to the final chapter so far.
Substituting the reference Ecosse cables in my system with the ZenSati opened up the system and revealed details in my system that I was not aware of before. The transformation and sound-profile described earlier was also true here and I can hardly wait to test the Phono cable and mains cables in my system for a total set up, scary though as this is.

Conclusion:
The ZenSati cables are among my three preferences and reference cables in the world. They do not do anything, letting both the equipment and the music speak for itself. The total lack of any  addition  to the sound and the limitless articulation in both dept and high, width and soundstage makes these cables unique in the market place today and gain many leagues on a lot of other cable producers out there.

Audiostone, Norway - Rolf-Audun Breivik Kristensen

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